COMING UP PROJECTS:
PUBLIC INN
FOR AILLEUR EN FOLIE _EUROPEAN CITY OF CULTURE MONS 2015
PROJECTS:
MESSA INSIEME 2009/2010
VOI SIETE QUI - YOU ARE HERE 2011/2012
EXCHANGE GUY COOLS AND LIN SNELLING 2013
PUBLIC INN
It’s an invitation to the making and sharing of food as an inclusive musical choreographic act. A gastronomic performance installation offering a series of hybrid banquets celebrating native Australian spices and Italian culinary tradition. Set within the open kitchen of La Maison Folie, in Mons (Belgium) and involving a team of live musicians and a contemplative garden, plus the video screenings of Recipe for Disaster Public Inn is elaborating on the ceremonial aspects and idiosyncrasies that are intertwined within the migration of food practice and our individual sense of identity.
MESSA INSIEME
http://vimeo.com/61994356
E' una performance gestuale e vocale, un pellegrinaggio della mente a due voci che, in toni ironici, esplora quello spazio tragico comico tra l’essere ed il pensare di essere.
I due personaggi sono come sospesi nel vuoto, ancorati alla realta’dall’illusione di significato e dal desiderio di permanenza.
Giocano ad inventarsi una storia, la storia di un io sdoppiato in cerca di se’stesso che cercandosi va’ in prestito dei pensieri dell’altro finendo per disconoscersi o riconoscersi?
Un' altalenarsi di atmosfere che si traducono in sonorita’ e minimi movimenti, dando possibilita’ alla parola stessa di divenire prosodia e quindi musica. La musica diventa una partitura che intesse monologo collaborativo, canzone contemporanea, ritmi e melodie della canzone tradizionale italiana rivelando un mondo femminile frammentato tra ricordi, dubbi, sogni, lamenti e contraddizioni. Una sorta di monologo interiore dove il non sapere, o il non voler ricordare, e’una metafora del continuo sfuggire ad un’identità, o responsabilità, che c’impedisce di essere. Una storia semiseria o semisacra che ci lascia nell’ambiguita’di un sorriso indecifrabile.
“ Vivere è essere un altro. Neppure sentire é possibile se si sente oggi come si é sentito ieri: sentire oggi come si é sentito ieri non é sentire é ricordare oggi quello che si é sentito ieri, é essere oggi il cadavere vivo di cio’che ieri é stata la vita perduta ”
Fernando Pessoa
VOI SIETE QUI
http://vimeo.com/46678942
Una pseudo opera socio-comico psico-politica vacanziera dove tematiche di spaesamento e di coesistenza si traducono in musica e danzano su quella giostra intorno al discorso dell’appartenenza. Un appartenere fra somiglianza e diversita’ sdrammatizzato da una storia che non esiste se non nell’ immaginazione di chi ascolta.
Un progetto commissionato da Ravenna Teatri e co prodotto dal Cisim insieme al Lato Oscuro della Costa su Lido Adriano, un paese di condomini e villette sulla costa romagnola composto da una popolazione quasi completamente immigrata: 6000 residenti provenienti da ben 52 diverse nazioni e ben 60 000 abitanti per la stagione estiva.
Una opportunita' molto stimolante che ci ha permesso di scoprire una periferia balneare ricca di contraddizioni e speculazioni dove tantissime realta’, profondamente diverse, convivono dando voce ad un’esigenza o meglio ad un’urgenza d’integrazione autentica con il territorio e a un desiderio di ridefinire il concetto stesso di appartenenza.
EXCHANGE CON GUY COOLS E LIN SNELLING BERLIN 2013
Nel Luglio 2013 a Berlino abbiamo avuto il piacere d'incontrare Guy Cools e Lin Snelling e di condividere i nostri percorsi artistici basati sulla danza e la scrittura. Per saperne di piu': re-writing distance 2013
ENGLISH VERSION
MESSA INSIEME
http://vimeo.com/61994356
A two-voice pilgrimage of the mind - A highly gestural and vocal performance with an ironic tone, that explores the tragic/comic space between being and thinking of being, where the two characters behave as if suspended in a void. Anchored to reality only by the illusion of meaning and from the desire of permanence.
They play by inventing a story, the story of a divided “I”, that looks for itself by borrowing the thoughts of the other, who ends up not recognizing itself or paradoxically maybe having found itself.
An endless rollercoaster of atmospheres that continuously translates itself into minimal movement and sound - where words become prosody and then music.
The overall composition - a dense interweaving of collaborative monologues, contemporary music and traditional Italian songs. Disclosing a feminine world fragmented with memories, doubts, laments and contradictions. Producing an interior monologue where not knowing or not willing to remember is a metaphor of an endless running away from an identity - from a responsibility that does not allow us to be. An almost serious but at the same time sacred story that lives within the ambiguity of an undecipherable smile.
YOU ARE HERE
http://vimeo.com/46678942
A pseudo comic opera socio- psycho - political holiday style where issues of displacement and coexistence translate into music and dance around the discourse of belonging. A project commissioned by Ravenna Teatri and co-produced by Cisim together with Il Lato Oscuro della Costa on Lido Adriano, a town of condominiums and small houses on the Adriatic coast that consists almost entirely of immigrant population: 6,000 residents from over 52 different countries and over 60 000 inhabitants only for the summer season.
A very inspiring opportunity that allowed us to discover a suburbian seaside full of contradictions and speculations, where a lot of very different realities co-exists demanding urgently a better sense of integration within the territory. A place with a genuine desire to redefine the concept of belonging.
Foto@: Laura Gatelli
EXCHANGE WITH GUY COOLS AND LIN SNELLING BERLIN 2013
In July 2013 in Berlin we had the pleasure of meeting Guy Cools and Lin Snelling to exchange our practices based on dance and writing. re-writing distance 2013
PERFORMANCES
Festa dei Teatri CIDM - Milano, Italy
Microfestival Teatri Incondizionati - Montisi, Italy
Santarcangelo Festival - Santarcangelo, Italy
Il caffe' -Ghent, Belgium
Uscite d'Emergenza 08 - Milano, Italy
Corposamente 08 Assoc. AltriMenti - Filetto, Italy
Teatro Rasi di Ravenna - Ravenna, Italy
www.visoinaria.altervista.org
Nobodaddy Viso-in-aria
Teatro Subasio - Spello, Italy
Hangar CultLab - Ancona, Italy
www.vicolocorto.it
CISIM di Lido Adriano - Lido Adriano, Italy Ravenna2019
Teatro Valle Occupato - Roma, Italy
www.teatrovalleoccupato.it
Sala Vittorio Arrigoni ex cinema Palazzo - Roma, Italy
MESSA INSIEME: LE DUE MOINE E L'OMELIA UNISONA - RECENSIONE DI SIMONE NEBBIA: Recensione su Teatro e Critica
It’s an invitation to the making and sharing of food as an inclusive musical choreographic act. A gastronomic performance installation offering a series of hybrid banquets celebrating native Australian spices and Italian culinary tradition. Set within the open kitchen of La Maison Folie, in Mons (Belgium) and involving a team of live musicians and a contemplative garden, plus the video screenings of Recipe for Disaster Public Inn is elaborating on the ceremonial aspects and idiosyncrasies that are intertwined within the migration of food practice and our individual sense of identity.
MESSA INSIEME
http://vimeo.com/61994356
E' una performance gestuale e vocale, un pellegrinaggio della mente a due voci che, in toni ironici, esplora quello spazio tragico comico tra l’essere ed il pensare di essere.
I due personaggi sono come sospesi nel vuoto, ancorati alla realta’dall’illusione di significato e dal desiderio di permanenza.
Giocano ad inventarsi una storia, la storia di un io sdoppiato in cerca di se’stesso che cercandosi va’ in prestito dei pensieri dell’altro finendo per disconoscersi o riconoscersi?
Un' altalenarsi di atmosfere che si traducono in sonorita’ e minimi movimenti, dando possibilita’ alla parola stessa di divenire prosodia e quindi musica. La musica diventa una partitura che intesse monologo collaborativo, canzone contemporanea, ritmi e melodie della canzone tradizionale italiana rivelando un mondo femminile frammentato tra ricordi, dubbi, sogni, lamenti e contraddizioni. Una sorta di monologo interiore dove il non sapere, o il non voler ricordare, e’una metafora del continuo sfuggire ad un’identità, o responsabilità, che c’impedisce di essere. Una storia semiseria o semisacra che ci lascia nell’ambiguita’di un sorriso indecifrabile.
“ Vivere è essere un altro. Neppure sentire é possibile se si sente oggi come si é sentito ieri: sentire oggi come si é sentito ieri non é sentire é ricordare oggi quello che si é sentito ieri, é essere oggi il cadavere vivo di cio’che ieri é stata la vita perduta ”
Fernando Pessoa
VOI SIETE QUI
http://vimeo.com/46678942
Una pseudo opera socio-comico psico-politica vacanziera dove tematiche di spaesamento e di coesistenza si traducono in musica e danzano su quella giostra intorno al discorso dell’appartenenza. Un appartenere fra somiglianza e diversita’ sdrammatizzato da una storia che non esiste se non nell’ immaginazione di chi ascolta.
Un progetto commissionato da Ravenna Teatri e co prodotto dal Cisim insieme al Lato Oscuro della Costa su Lido Adriano, un paese di condomini e villette sulla costa romagnola composto da una popolazione quasi completamente immigrata: 6000 residenti provenienti da ben 52 diverse nazioni e ben 60 000 abitanti per la stagione estiva.
Una opportunita' molto stimolante che ci ha permesso di scoprire una periferia balneare ricca di contraddizioni e speculazioni dove tantissime realta’, profondamente diverse, convivono dando voce ad un’esigenza o meglio ad un’urgenza d’integrazione autentica con il territorio e a un desiderio di ridefinire il concetto stesso di appartenenza.
EXCHANGE CON GUY COOLS E LIN SNELLING BERLIN 2013
Nel Luglio 2013 a Berlino abbiamo avuto il piacere d'incontrare Guy Cools e Lin Snelling e di condividere i nostri percorsi artistici basati sulla danza e la scrittura. Per saperne di piu': re-writing distance 2013
ENGLISH VERSION
MESSA INSIEME
http://vimeo.com/61994356
A two-voice pilgrimage of the mind - A highly gestural and vocal performance with an ironic tone, that explores the tragic/comic space between being and thinking of being, where the two characters behave as if suspended in a void. Anchored to reality only by the illusion of meaning and from the desire of permanence.
They play by inventing a story, the story of a divided “I”, that looks for itself by borrowing the thoughts of the other, who ends up not recognizing itself or paradoxically maybe having found itself.
An endless rollercoaster of atmospheres that continuously translates itself into minimal movement and sound - where words become prosody and then music.
The overall composition - a dense interweaving of collaborative monologues, contemporary music and traditional Italian songs. Disclosing a feminine world fragmented with memories, doubts, laments and contradictions. Producing an interior monologue where not knowing or not willing to remember is a metaphor of an endless running away from an identity - from a responsibility that does not allow us to be. An almost serious but at the same time sacred story that lives within the ambiguity of an undecipherable smile.
YOU ARE HERE
http://vimeo.com/46678942
A pseudo comic opera socio- psycho - political holiday style where issues of displacement and coexistence translate into music and dance around the discourse of belonging. A project commissioned by Ravenna Teatri and co-produced by Cisim together with Il Lato Oscuro della Costa on Lido Adriano, a town of condominiums and small houses on the Adriatic coast that consists almost entirely of immigrant population: 6,000 residents from over 52 different countries and over 60 000 inhabitants only for the summer season.
A very inspiring opportunity that allowed us to discover a suburbian seaside full of contradictions and speculations, where a lot of very different realities co-exists demanding urgently a better sense of integration within the territory. A place with a genuine desire to redefine the concept of belonging.
EXCHANGE WITH GUY COOLS AND LIN SNELLING BERLIN 2013
In July 2013 in Berlin we had the pleasure of meeting Guy Cools and Lin Snelling to exchange our practices based on dance and writing. re-writing distance 2013
PERFORMANCES
Festa dei Teatri CIDM - Milano, Italy
Microfestival Teatri Incondizionati - Montisi, Italy
Santarcangelo Festival - Santarcangelo, Italy
Il caffe' -Ghent, Belgium
Uscite d'Emergenza 08 - Milano, Italy
Corposamente 08 Assoc. AltriMenti - Filetto, Italy
Teatro Rasi di Ravenna - Ravenna, Italy
www.visoinaria.altervista.org
Nobodaddy Viso-in-aria
Teatro Subasio - Spello, Italy
Hangar CultLab - Ancona, Italy
www.vicolocorto.it
CISIM di Lido Adriano - Lido Adriano, Italy Ravenna2019
Teatro Valle Occupato - Roma, Italy
www.teatrovalleoccupato.it
Sala Vittorio Arrigoni ex cinema Palazzo - Roma, Italy
MESSA INSIEME: LE DUE MOINE E L'OMELIA UNISONA - RECENSIONE DI SIMONE NEBBIA: Recensione su Teatro e Critica
PAOLA BARTOLETTI
Bachelor EDDC (performing art) Olanda.
Master in drammaturgia (Royal Accademy of fine art KASK-dip.drama) Belgio.
Studia canto con An Marie Rogiest, Belgio
Performer cantante
Lavora con Het Muziek Lod dal 95
Docente all’accademia d’arte drammatica Gent
Come performer firma lavori suoi e lavora con Guy
Cassiers e Eric de Volder (kunsten festival des arts Bruxelles)
Studia canto con Ingrid Voermans "dall'orientazione del corpo all'orientazione del suono" Lichtemberg Methode.
Docente dal 2000 al 2003 all'International Summer Accademy of Theatre in Atene.
Lavora come performer nello spettacolo Jo Ha Kiu di Yochiko Chuma e Tun Dun.
Come cantante collabora con vari musicisti jazz e di musica contemporanea fra cui Bart Maris, Paul van Geysegem (blue note festival Belgium) e Dick van der Harst.
PAOLA BARTOLETTI (English)
Bachelor E.D.D.C. Performing Arts, Holland.
Master in drama (KASK) Belgium.
She studied singing with An Marie Rogiest, Belgium
Performer and singer she works with Het Muziek Lod from 1995
She is a teacher at the Accademy of Drama in Ghent.
As a performer she create her own work and collaborate with Guy Cassier and Eric de Volder, Kunsten Festival des Arts in Bruxelles.
She studied voice with Ingrid Voemans Lichtemberg Methode.2000 till 2003 she has being teaching at the International Summer Accademy of Theatre in Athen.
Performer in Jo Ha Kiu dir. Yochiko Chuma e Tun Dun
As a singer she collaborate with various jazz and contemporary musicians like Bart Maris, Paul van Geysegem (Blue Note Festival Belgium) and Dick van der Harst.
Bachelor EDDC (performing art) Olanda.
Master in drammaturgia (Royal Accademy of fine art KASK-dip.drama) Belgio.
Studia canto con An Marie Rogiest, Belgio
Performer cantante
Lavora con Het Muziek Lod dal 95
Docente all’accademia d’arte drammatica Gent
Come performer firma lavori suoi e lavora con Guy
Cassiers e Eric de Volder (kunsten festival des arts Bruxelles)
Studia canto con Ingrid Voermans "dall'orientazione del corpo all'orientazione del suono" Lichtemberg Methode.
Docente dal 2000 al 2003 all'International Summer Accademy of Theatre in Atene.
Lavora come performer nello spettacolo Jo Ha Kiu di Yochiko Chuma e Tun Dun.
Come cantante collabora con vari musicisti jazz e di musica contemporanea fra cui Bart Maris, Paul van Geysegem (blue note festival Belgium) e Dick van der Harst.
PAOLA BARTOLETTI (English)
Bachelor E.D.D.C. Performing Arts, Holland.
Master in drama (KASK) Belgium.
She studied singing with An Marie Rogiest, Belgium
Performer and singer she works with Het Muziek Lod from 1995
She is a teacher at the Accademy of Drama in Ghent.
As a performer she create her own work and collaborate with Guy Cassier and Eric de Volder, Kunsten Festival des Arts in Bruxelles.
She studied voice with Ingrid Voemans Lichtemberg Methode.2000 till 2003 she has being teaching at the International Summer Accademy of Theatre in Athen.
Performer in Jo Ha Kiu dir. Yochiko Chuma e Tun Dun
As a singer she collaborate with various jazz and contemporary musicians like Bart Maris, Paul van Geysegem (Blue Note Festival Belgium) and Dick van der Harst.
NADIA CUSIMANO
Bachelor in Performing Arts, E.D.D.C. in Olanda.
Danza con la compagnia Sasha Waltz & Guests 1996/2002.
Tra le collaborazioni artistiche: Xavier Le Roy, Eszter Salamon, Constanza Macras, Angelika Oei, Tino Seghal, Ami Garmon, Nigel Charnock and Karen Nelson.
Studia voce e canto con Ida Kelarova, Judi Wilson Roy-Hart Theatre, Metodo Lichtenberger e Annunziata Matteucci (Giovanna Marini).
Concerti in Berlino e Bruxelles con Annunziata Matteucci e Christiane Hommelsheim.
Tra i suoi progetti Video Installazione What becomes me collaborazione con Paul Gazzola, Solo work Miss Italy part 1 e varie drammaturgie.
Dal 2004 e' invitata regolarmente come insegnante all’ Universita’ di scienze applicate FH-Johanneum Exhibition and Museums Design di Graz in Austria.
In Settembre 2009 The Solo Performance Commissioned Project SPCP The Runner coreografia Deborah Hay interpretazione Nadia Cusimano.
Partecipa al progetto Dialogue 09 MAXXI per l'apertura del National Museum of the XXI Century in Roma come guest performer con la compagnia Sasha Waltz & Guests architettura Zaha Hadid.
2010 Entra a far parte della compagnia teatrale Lone Twin Theatre come performer.
2011 presenta Il gioco Invisibile alla Hot August Night, Meat Market in Melbourne, Australia.
Presenta il solo " The Runner " nel contesto di Return to Sender al Performance Space in Sydney.
NADIA CUSIMANO ( English )
Bachelor in Performing Arts, EDDC Arnheim, Holland.
She danced with Sasha Waltz & Guests from 1996-2002.
Artistic collaborations with: Xavier Le Roy, Eszter Salamon, Constanza Macras, Angelika Oei, Tino Seghal, Nigel Charnock, Karen Nelson.
Studied voice and singing with Ida Kelarova, Judi Wilson Royhart Theatre, Method Lichtenberger e Annunziata Matteucci (Giovanna Marini).
Concerts in Berlino and Bruxelles with Annunziata Matteucci and Christiane Hommelsheim.
She created the Video Installazione What becomes me in collaborazione con Paul Gazzola and the Solo work Miss Italy part 1 and a variety of dramaturgical projects.
From 2004 she is regularly invited as guests lecturer at the University of applied science FH-Johanneum Exhibition and Museums Design in Graz, Austria.
2007 Start an ongoing collaboration with artist singer Paola Bartoletti and create Le due moine a musical theatre company. Touring Productions Messa Insieme and You are here. Next production Fallo Felice 2013.
2009 The Solo Performance Commissioned Project SPCP The Runner choreography Deborah Hay adaptation by Nadia Cusimano.
Dialogue 09 MAXXI a project opening of the National Museum of the XXI Century in Rome as an invited guest performer with Sasha Waltz & Guests architecture Zaha Hadid.
2010 she joins the Lone Twin Theatre company as a performer on tour.
2011 "The Invisible Game" Hot August Night, Meat Market in Melbourne, Australia.
Solo "The Runner" adaptation of Deborah Hay choreography as part of Return to Sender at the Performance Space at CarriageWorks in Sydney.
'It is engrossing to watch and a pertinent reminder on process in dance 'Jill Sykes - The Sydney Morning Herald 23 November 2011.
2012 she was a community advocate for Expressway Arts - Carclew Youth Arts creative producer Katrina Lazaroff.
Within Expressway Arts she is leading her own Urban Culture Interview Project asking what is culture to young people and what they would like seen happening around the suburb; presented as an installation and a written publication in December 2012 in Ramsay Place, Noarlunga SA.
For InSpace 2013 Residency she has been working on a new production of the The human voice a text from J. Cocteau following a first Residency in July 2012 at Bundanon supported by Critical Path Residency with her collaborator Sarah Neville.
Since 2012 she has been the Translator as well as the Assistant Director of Chiara Guidi/Company Raffaello Sanzio -Italy on a new production of "Jack and The Bean Stalk" at Campbelltown Arts Centre in NSW; After his premiere in June 2014 the production has been invited to the Adelaide Festival in March 2015.
infos: interview Realtime
Worked on Barrio 2013 Adelaide Festival with 4 different participatory events in collaboration with Paul Gazzola.
Performed a re-interpretation of Marina Abramovic Luminosity and Joan Jonas Mirror Check for 13 Rooms a Kaldor Project, Sydney, NSW in April 2013.
Throughout May 2013 worked with Paul Gazzola on Temporary Art Gallery a local community project. An initiative through the City of Onkaparinga and Carclew Youth Arts, supported by the Colonnades Shopping Centre in Noarlunga, SA.
She will be a Guest Facilitator for the OPENLAB 2014_The Art of Being Public in South Africa. http://www.openlab-southafrica.co.za
Bachelor in Performing Arts, E.D.D.C. in Olanda.
Danza con la compagnia Sasha Waltz & Guests 1996/2002.
Tra le collaborazioni artistiche: Xavier Le Roy, Eszter Salamon, Constanza Macras, Angelika Oei, Tino Seghal, Ami Garmon, Nigel Charnock and Karen Nelson.
Studia voce e canto con Ida Kelarova, Judi Wilson Roy-Hart Theatre, Metodo Lichtenberger e Annunziata Matteucci (Giovanna Marini).
Concerti in Berlino e Bruxelles con Annunziata Matteucci e Christiane Hommelsheim.
Tra i suoi progetti Video Installazione What becomes me collaborazione con Paul Gazzola, Solo work Miss Italy part 1 e varie drammaturgie.
Dal 2004 e' invitata regolarmente come insegnante all’ Universita’ di scienze applicate FH-Johanneum Exhibition and Museums Design di Graz in Austria.
In Settembre 2009 The Solo Performance Commissioned Project SPCP The Runner coreografia Deborah Hay interpretazione Nadia Cusimano.
Partecipa al progetto Dialogue 09 MAXXI per l'apertura del National Museum of the XXI Century in Roma come guest performer con la compagnia Sasha Waltz & Guests architettura Zaha Hadid.
2010 Entra a far parte della compagnia teatrale Lone Twin Theatre come performer.
2011 presenta Il gioco Invisibile alla Hot August Night, Meat Market in Melbourne, Australia.
Presenta il solo " The Runner " nel contesto di Return to Sender al Performance Space in Sydney.
NADIA CUSIMANO ( English )
Bachelor in Performing Arts, EDDC Arnheim, Holland.
She danced with Sasha Waltz & Guests from 1996-2002.
Artistic collaborations with: Xavier Le Roy, Eszter Salamon, Constanza Macras, Angelika Oei, Tino Seghal, Nigel Charnock, Karen Nelson.
Studied voice and singing with Ida Kelarova, Judi Wilson Royhart Theatre, Method Lichtenberger e Annunziata Matteucci (Giovanna Marini).
Concerts in Berlino and Bruxelles with Annunziata Matteucci and Christiane Hommelsheim.
She created the Video Installazione What becomes me in collaborazione con Paul Gazzola and the Solo work Miss Italy part 1 and a variety of dramaturgical projects.
From 2004 she is regularly invited as guests lecturer at the University of applied science FH-Johanneum Exhibition and Museums Design in Graz, Austria.
2007 Start an ongoing collaboration with artist singer Paola Bartoletti and create Le due moine a musical theatre company. Touring Productions Messa Insieme and You are here. Next production Fallo Felice 2013.
2009 The Solo Performance Commissioned Project SPCP The Runner choreography Deborah Hay adaptation by Nadia Cusimano.
Dialogue 09 MAXXI a project opening of the National Museum of the XXI Century in Rome as an invited guest performer with Sasha Waltz & Guests architecture Zaha Hadid.
2010 she joins the Lone Twin Theatre company as a performer on tour.
2011 "The Invisible Game" Hot August Night, Meat Market in Melbourne, Australia.
Solo "The Runner" adaptation of Deborah Hay choreography as part of Return to Sender at the Performance Space at CarriageWorks in Sydney.
'It is engrossing to watch and a pertinent reminder on process in dance 'Jill Sykes - The Sydney Morning Herald 23 November 2011.
2012 she was a community advocate for Expressway Arts - Carclew Youth Arts creative producer Katrina Lazaroff.
Within Expressway Arts she is leading her own Urban Culture Interview Project asking what is culture to young people and what they would like seen happening around the suburb; presented as an installation and a written publication in December 2012 in Ramsay Place, Noarlunga SA.
For InSpace 2013 Residency she has been working on a new production of the The human voice a text from J. Cocteau following a first Residency in July 2012 at Bundanon supported by Critical Path Residency with her collaborator Sarah Neville.
Since 2012 she has been the Translator as well as the Assistant Director of Chiara Guidi/Company Raffaello Sanzio -Italy on a new production of "Jack and The Bean Stalk" at Campbelltown Arts Centre in NSW; After his premiere in June 2014 the production has been invited to the Adelaide Festival in March 2015.
infos: interview Realtime
Worked on Barrio 2013 Adelaide Festival with 4 different participatory events in collaboration with Paul Gazzola.
Performed a re-interpretation of Marina Abramovic Luminosity and Joan Jonas Mirror Check for 13 Rooms a Kaldor Project, Sydney, NSW in April 2013.
Throughout May 2013 worked with Paul Gazzola on Temporary Art Gallery a local community project. An initiative through the City of Onkaparinga and Carclew Youth Arts, supported by the Colonnades Shopping Centre in Noarlunga, SA.
She will be a Guest Facilitator for the OPENLAB 2014_The Art of Being Public in South Africa. http://www.openlab-southafrica.co.za
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| The Runner Choreography Deborah Hay at Performance Space in Sydney, Australia Foto: Heidrun Löhr |
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| Expressway Arts Interview Cultural Project in Adelaide, Australia |
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| What becomes me Installation in Perth, Australia |
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| Miss Italy part 1 at Schaubhuene in Berlin, Germany |
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| Miss Italy part 1 at Schaubhuene in Berlin, Germany |
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| V-Day a Theatre Event for 30 women at Schaubhuene in Berlin, Germany |
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| Women who run with the tents collaboration with Ami Garmon in Berlin |
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| A Cappella Concert in Brussels with A. Matteucci and C. Hommelsheim |
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| Temporary Art Gallery, a community project in Noarlunga South Australia |
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| The Human Voice InSpace Adelaide Festival Residency with Sarah Neville 2013, Adelaide |
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| The Human Voice InSpace Adelaide Festival Residency with Sarah Neville 2013, Adelaide |
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| Barrio Intervention during Adelaide Festival 2013, Adelaide |
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